Anyway, Baehr speaks of profanities and obscenities as separate entities. I'd always ascribed to the OED's second definition for a profanity: "an oath or a swear word." But Baehr srictly defines a profanity in its non-secular sense of breaking the third commandment ( You shall not make wrongful use of the name of your God). Thus "Omigawd" is rated as a profanity, "cunt" as an obscenity, and "Jesus Fucking Christ" as both. Yet when I think of how almost reflexiively Goddammit, the aforementioned JFC, and the ubiquitous Jesus Christ! are used these days, it seems archaic to presume any intent to profane the Lord's name. As with most swearwords - or "swears" as the slacker generation slackly calls them - profanities are used for emphasis, or to indicate discomfiture or anger, or simply - as is the case on the construction site - to gain entrance into the brotherhood:
Fucking cold today, eh?
Christ, yeah!
Following a previous blog of mine in which I'd posited the demise - or at least the transmogrification - of swear words (link here), I read Down and Out in Paris and London, which was written by George Orwell when he and the 20th century were in their early 30s. The book was a non-fiction account of his experiences as a pauper in the two great cities. It is a great piece of gonzo journalism, written more than 30 years before the Baby Boomers "invented" the practice of a journalist becoming part of the action (I think there might be a book on the things we Boomers think we invented. ) It tells the story of the low-lifers Orwell - or Eric Blair, as he was known off the page - encountered while working as a plongeur (dishwasher) in the kitchen of a fancy French hotel, and then as a tramp in London. I bring it up because Orwell discusses the transmogrification of obscenities and/or profanities in England. To wit:
The swear words also change — or, at any rate, they are subject to fashions. For example, twenty years ago the London working classes habitually used the word ‘bloody’. Now they have abandoned it utterly, though novelists still represent them as using it. No born Londoner (it is different with people of Scotch or Irish origin) now says ‘bloody’, unless he is a man of some education. The word has, in fact, moved up in the social scale and ceased to be a swear word for the purposes of the working classes. The current London adjective, now tacked on to every noun, is ‘fucking’. No doubt in time ‘fucking’, like ‘bloody’, will find its way into the drawing-room and be replaced by some other word
The whole business of swearing, especially English swearing, is mysterious. Of its very nature swearing is as irrational as magic — indeed, it is a species of magic. But there is also a paradox about it, namely this: Our intention in swearing is to shock and wound, which we do by mentioning something that should be kept secret — usually something to do with the sexual functions. But the strange thing is that when a word is well established as a swear word, it seems to lose its original meaning; that is, it loses the thing that made it into a swear word. A word becomes an oath because it means a certain thing, and, because it has become an oath, it ceases to mean that thing. For example ‘fuck’. The Londoners do not now use, or very seldom use, this word in its original meaning; it is on their lips from morning till night, but it is a mere expletive and means nothing. Similarly with ‘bugger’, which is rapidly losing its original sense. One can think of similar instances in French — for example ‘foutre’ [literally: semen] which is now a quite meaningless expletive. The word ‘bougre’, also, is still used occasionally in Paris, but the people who use it, or most of them, have no idea of what it once meant. The rule seems to be that words accepted as swear words have some magical character, which sets them apart and makes them useless for ordinary conversation.Well, I'll be bougred! It always comes as something of revelation to learn that the F-word and its pals were being used in my grandfathers' heyday. English language books and movies, heavily censored up until the late 1950s, give the impression that such usage rarely occurred in pre-Boomer times. For example, Norman Mailer's first published novel The Naked and the Dead (1948), a precursor to Joseph Heller's Catch 22 in its lampooning of the American military brass in World War II, famously used the euphemism "fug" - a locution that was supposed to have prompted Dorothy Parker, upon meeting Mailer, to say, "Ah yes, you're the young man who can't spell." Incidentally, the 1960s underground rock band "The Fugs" took their name from Mailer's book.
* TAG = Tits, Abs & Gore
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A couple of years ago, some British researchers identified Jan 24th as the most miserable day of the year. Apparently, the cumulative effects of the post-Christmas letdowns, the yuletide debt and the miserable weather peak on this day. For me, Jan. 24th carries further significance in that it's the anniversary of the Dolphin family's emigration to Canada. This year marks 40 years since that fateful landing of an Air Canada DC-10 at Toronto International in the rain of a January thaw - a thaw that soon gave way to the coldest cold and snowiest snow that this pilgrim had ever seen.
My parents' decision to emigrate took me from a fairly comfy English grammar school in the Midlands to a rural junior high north of Cobourg, Ontario, where they put us outside for the hour-long lunch break. It was during these breaks that I was assailed by farmers' sons who took personal exception to my accent and my funny English clothes. There were fights in the snow with the boys called "Wayne" or "Dwayne" or "Lorne" whose favourite form of provocation was to call me a "limey faggot" and hold out their cupped hands as if presenting me with their penises. And while sometimes I managed to land some punishing blows and even win a few of the bouts (I'd played rugby at Alcester Grammar, after all), I early on acquired a livid, purplish black eye that those coming upon me for the first time took as a hideous birthmark. This made it difficult to talk to girls. But gradually the mark of Satan subsided, the novelty of my alien-ness waned, and the attacks diminished. I made a few friends, and inevitably acquired the nickname Flipper, which stuck through high school in Cobourg and was later shortened to "Flip" . . .
But enough autobiographical indulgence. The subject was Jan. 24th and the miseries attending that date. This Jan. 24th - a Saturday - saw me on the Benchmark scaffolding crew helping to complete a tube-and-clamp scaffold at the Flint Engineering yard in Cold Lake, Alberta. And miserably cold it indeed was. The temperature when first we exited Tim Horton's after breakfast was minus 31 degrees C, with slight breeze. As the sun came up, the temperature rose, achieving minus 24 by noon - but the wind had picked up, reaching 40 km/h and creating a wind-chill effect of something approaching a feminist's sense of humour. "It's going to be fucking brutal out there," foreman Mike had predicted, and I guess it was. But not so bad as you might think. As the cliché goes: you dress for it.
I wore long
underwear beneath lined ski pants; three pairs of socks inside felt-lined work boots; an undershirt, a turtle-necked shirt, two sweatshirts and a lined windbreaker. Over all of this, I wore the green Benchmark overalls and, over that, quilted, bomber style ski jacket. On my head was a balaclava that covers to the eyebrows at its top and the tip of the nose at its bottom (one of my crewmates refers to it as a "worker burqua"), the hood of one of the sweatshirts; the mandatory safety glasses; and the gunmetal grey Benchmark hardhat. Quite natty, as you can see from the photo.In the Flint yard, there was a good number of other trades, similarly clothed, working on other aspects of the "mods" (modules) - platforms on which is bolted pumping and refining machinery for use in the oil patch. Our scaffold was built on the platform and threaded in and around the pipes and machinery, its decks positioned to facilitate the construction of the steel walls and roof. It took four of us two and a half days to build. (Picture below; click to enlarge.)
My humble role was one of "ground man" (a.k.a. "ground bitch") - getting the tubes and clamps up to the scaffolders, sawing and nailing the wooden cleats on the planks that form the decks, handing the planks and the plywood up to where they were needed ... It is mindless but strenuous work, keeping one warm, allowing one's thoughts to wander, and resulting in a kind of numb, almost blissful exhaustion at the end of an eight-hour day. The first two days saw us repair to the Western Budget Inn - where we were staying two-t0-a-room - for showers and a beer, before walking next door to the Boston Pizza for dinner and a couple of "Boston-sized" cocktails.It is in this convivial, alcoholized atmosphere that the boys tell their stories. Mike, a journeyman scaffolder and foreman in his mid-30s, is a farm boy from Two Hills who couldn't figure out what he wanted to do after Grade 12, and so got a trade. As a ticketed journeyman, he makes around $37/hr, and owns a house in Edmonton which he currently shares with Yin, the tough, little Chinese girl scaffolder we met in the last posting. He drives a two-year-old Honda Civic, takes tropical holidays every year or so, skis regularly in the mountains, and generally enjoys life. Maybe a little too much lately. He's getting a little doughy around the middle of his compact frame.
So Mike's on a diet, and has come to Cold Lake with several day's worth of salad-heavy lunches packed for him by Yin (a Tae Kwon Do blackbelt and a stickler for proper nutriition). The diet goes out of the window at night, though, with Mike shoveling in the grease, the carbs and the alcohol with the rest of us. He's also the only one us here who smokes. At least cigarettes. When the talk turns to the drinking and drugging that are common to the after-work lives of scaffolders and the other strenuous trades (drywallers, steel workers, pipefitters, etc), Mike observes, "When you do work like this, you've gotta have something."
I haven't met a scaffolder yet who gets much enjoyment from the physicality of the job - and Mike is no different. When a scaffold is done, he might lift his curly head, observe the structure, and say, "Well, gentlemen, we got 'er done," with just the slightest note of pride, but more of relief to have it over with. Like everyone else, he moans and groans about going out into the devilish cold of an Alberta January morning to wrestle with cold steel and aluminum.
Mike's sidekick is his first-year apprentice, Andrew, a tallish, spectacled, skinny, blond, 22-year-old Ichabod Crane lookalike from Brandon, Manitoba. Andrew is another bright boy who couldn't figure out what to do after Grade 12. He traveled to Thailand and Australia for a year or so, working construction in Perth before returning to Manitoba and landing a job a a cook in the kitchen of a Mexican restaurant in Winnipeg. He followed his older brother - another scaffolder - to Alberta for the bigger bucks.
Although having lived with Thai girl in Bangkok for a while, Andrew has so far been unlucky with love in Alberta. Mike will encourage him to make a plays for women, such as the 30ish waitress in Boston Pizza who brings our drinks. "Ask her for her telephone number," Mike urges, but Andrew shies out.
Completing our foursome is John, a tall, husky, big-bellied journeyman scaffolder in his late 30s who, along with Jon and Danny (encountered in the last blog posting, but not with us in Cold Lake), is an owner of Benchmark and therefore the head man in this crew. He pays for the meals and the hotel rooms - one of which he shares with me - and is has the final say on the design of the scaffold. A bluff British Columbian from the interior smelting town of Trail (home to the BCHL Smoke Eaters), John likes to hunt, snowmobile, ski and boast of his exploits in these and other manly pursuits. For every story someone else tells, John's got one that'll top it. Having reputedly cut a swath through Western Canadian womanhood in his younger days, he's currently settled with a live-in girlfriend and a 15-year-old daughter from a failed marriage on an acreage north of Edmonton. Of all those I've worked with in my two months with Benchmark, John seems the most accomplished scaffolder.
John and Mike have both been working as scaffolders and carpenters in and around Alberta for the length of the boom (which, judging by the activitiy in the Flint yard and the booked-solid hotels, is still going strong in Cold Lake). They are thus able to swap stories about the big camps up north where the unions rule and the numbers are such that work can be shirked without detection. They tell tales of poker games and dope dens in secret sea cans (containers) at Syncrude or Suncor or Joffre. Of fucking strippers and rolling trucks and catching big fish. And if we think minus 30 is cold, try working up in McMurray when it's minus 50 ...
I manage a few stories from my several decades as an ink-stained wretch, but they are not nearly so picaresque. I think this is partly because I've not yet acquired the requisite skills of - er - embellishment. Like the puzzling business of correctly attaching a right-angled clamp to the end of a tube, I think the ability to bullshit is something that one acquires with time and practice. Similarly, I'm not yet that good at the badinage - known as trash talking - that is a constant soundtrack during the erection of a scaffold. These good-natured exchanges generally take the form ribbing one's colleagues for slow work with the implication that they are homos.
"When you two homosexual deviants are finished bumfucking each other up there," John might call up from the deck of mod, "Maybe you could grab this tube."
From up on the second deck, Mike shouts back: "I hear you're pretty fuckin' good at grabbing your own tube, John." And so on, back and forth, all day.
It kind of takes me back to the playground of Dale Road Junior High School and that first bleak winter of Canadian life. I'm an alien lifeform, but I'm sure I shall adapt.
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